![]() The film also shows Houdini’s later part of his life as a crusader against phony spiritualism. That being said, the film recreates some of Houdini’s more famous accomplishments (kinda) faithfully. As I said before, Yordan’s script plays fast and loose with facts. Philip Yordan’s ( Broken Lance) screenplay is loosely based on the 1928 book by Harold Kellock. The film was directed by George Marshall ( Destry Rides Again). Houdini does, however, try to capture the essence of the famous artist. This is Hollywood in the 1950s, so I don’t have to tell you that most of the film is fiction. Houdini is, of course, based on the real-life of the legendary escapist artist Harry Houdini, who has become synonymous with escapologism and magic. This George Pal production, shot in spiffy Technicolor, is a joy from beginning to end. There is no subtext, no hidden meaning, no complex visual trickery Houdini aims to entertain you and in that regard the film is a complete success. ![]() “It’ll be the most dangerous thing I’ve ever done.” After many false starts, Houdini realizes his dream of becoming the world’s greatest escapist artist. ![]() Bess initially objects to Houdini’s job, but she slowly begins to support her husband’s ambitions. A carny magician, Harry Houdini (Tony Curtis, The Defiant Ones), falls in love with one of his admirers, Bess Rahner (Janet Leigh, Psycho). ![]()
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